From Rhinebeck to refugee

January is a third gone, and I am just getting around to posting the highlights from last October’s NY Sheep and Wool Festival in Rhinebeck. You can blame Hurricane Sandy for that. I am still a refugee of sorts, because my place of work took a direct hit from the hurricane and we are nowhere close to moving back in. I work from home and I spend a few days a week in a temporary office across the river. It’s a situation to be endured, and I’d rather focus on hand spun and home made.

Rhinebeck 2012 deserves to be remembered, because it was a wonderful day, filled with fiber and fun. We have found a rhythm that works, visiting two or three “must see” vendors, and then poking around at our leisure. Actually, this is how my mother and I used to do it. I think it comes naturally when you become familiar with the festival.

My must see vendors are Loop and Golding Fiber Tools.

Let’s start with the fiber:

1 lb. of Three Ring Circus from Loop. This is one of my favorite color blends, so I bought it again this year. It’s black with Everything Else in it.

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1 lb. of Smitten from Loop doesn’t have me totally smitten, but it will do for the plainer sections of Dreaming Myself Awake. I wish it had more neps and noils for texture.

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4 oz. of cashmere/silk from Spirit Trail Fiberworks. This type of fiber is out of character for me, but the color is magnificently shaded and the cashmere ensures that the yarn is soft and very lofty. I’m going to need some plain accessories to go with the high-impact fabrics I weave.  As you can see, I’m using drop spindles with this fiber, which is still my best way to spin a fine, even yarn.

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Hopefully this fiber, and the small backlog I have from past years, will keep me busy through 2013. I know there are other festivals, and I know I could always shop on Etsy for some beautiful art yarn batts, but I generally don’t. It would weaken the mystique of Rhinebeck.

 

First threads of a Dream

And so, I began to fill in the weft. Dreaming Myself Awake has been a basket full of yarn for a long time, since a hot summer day in 2011 when I realized that a half dozen balls and skeins of leftover yarn had a purpose and a name. I know I gave away a year along the way, in service to Occupy Wall St. and in Being There for two beloved cats.  It doesn’t matter, this is the Now where the fabric takes shape.

It’s going to be an unruly fabric to photograph as a work in progress.  I am weaving a slightly gauzy fabric at 4 epc, with the warp being beat according to my mood and the needs of the thread that is in hand. The colors are nuanced, and the camera wants to make them garish and strange, with a honeyed undertone from the old maple loom.

It looks like this, kind of. Let’s say it feels like this.

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Well, almost like this. The threading error down the middle has been painstakingly fixed. Usually I leave such things in place, as part of the whim of freestyle weaving.  Sometimes I create dense stripes on purpose, by doubling the sett for just a little area.  Or gauzy stripes by spreading the warp further apart.  I don’t know.  This looked too centered. It interfered with the lively purple stripe, and dragged it down into an unhealthy stasis. It had to go.

Don’t you love the heathery blue/purple/burgundy section?  It’s a balanced single that I spun from a Loop Spontaneous Spinning Cloud. These clouds spin like an absolute dream, especially because I would rather spin woolen than worsted, and create a fine, lofty yarn rather than a ‘stainless steel wire’, as Judith Mackenzie describes worsted spun yarn.

I am giddy with the joy of creating new fabric. I am keeping mum about what the finished garment will look like.  Let’s just say that you could call it a tunic or a jumper (American usage, not British), and that it will look stunning over a turtleneck and leggings.