delayed gratification

Here’s the post about my first eco-dye bundle. With a title like that, it’s no surprise that I didn’t get around to posting it on time…

On May day I wrapped up a small eco-dye bundle and left it to sit for a week.

 

I am quite amazed with the rich color effects that come from

  • an old dry stick
  • a piece of rusty steel rod
  • silver needle tea leaves
  • vinegar
  • black walnut hulls
  • the dregs of a cup of black tea.

I shouldn’t be so surprised that rust and tannin combine in a rick, dark color.  I remember creating some genuinely black silk thread from such a combination.

Tisane

I’m having such fun with plant dyes. Sometime soon, I will drive out to the countryside and go searching for local plants to make distinctive leaf prints on the fabric, but at the moment I am playing “what if” with a shelf full of stale teas and tisanes. I am creating abstract designs and learning what works and what doesn’t.

This week’s bundle was colorful and quick and quirky.

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The ingredients?

  • Adagio Teas’ Blood Orange Tea, a herbal blend of orange peel, hibiscus flowers and rose hips
  • black walnut hulls, finely ground
  • citric acid, like vinegar, but odorless. I mix three teaspoons in a quart of water.

The result?
Yummy pinks and peaches with brown speckles.

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The quirks?
I used too much liquid. My previous bundle had a dry old stick in it, which soaked up a lot of liquid. This one sat soggily in the bag, and started growing mold after a couple of days. I had hoped to keep the bundle going for a week, but I unwrapped in the third day so the mold wouldn’t take over.

deploring the lack of good rags

I didn’t grow up in a household where we patched our clothing.  We took good care of things and made a point of donating them to those in need while there was still a lot life left in the garments. It would have been selfish to have worn them out.

There were a couple of boxes of scrap fabric in the attic.  My mother was a creative person, and saved any good size bits that were left over from other projects. Scrap, for me, was short lengths of new fabric.

These are the reasons why boro patching both fascinates me and scares me a little bit. It’s a new way of thinking about fabric and garments. It demands things of me that I’ve never done.

For my project, I won’t be patching over wear and tear. I don’t have any. I will be patching thin fabric to add warmth and weight. I’m tryng to use what’s in the house, but I don’t have the boxes of scrap fabric from that long-ago attic. I don’t even have any good rags under the kitchen sink. There’s the old wash cloth I used to clean up my bicycle, and a small bit of cloth with furniture polish on it. That’s about it.

I’ve read a few accounts of people making rakusu for the Buddhist ceremony of jukai.  The rakusu is a miniature symbolic Buddha’s robe, patched together from bits of cloth.  Some use actual rags, found cloth, discarded cloth, or clothing that belonged to the dead.

Where is that kind of cloth in my life?

I could have picked up a jersey on the sidewalk this morning. But it wasn’t a piece of cloth that I could relate to. It was shiny, new and synthetic, that kind of sport jersey made with little air holes.

Doesn’t anyone lose or discard natural fabrics any more? Doesn’t anyone wear them? Where have all the good rags gone?

Hapazome for May Day

Hapazome – printing with flowers.  Some call it flower pounding, but that conjures an image that is far from the reality of the gentle taps of the hammer upon a sandwich of card stock, silk and blossom.

I had a thought that I might observe the other May Day today, the one with protest marches and general strikes. In a sense, I am.  Although I am not marching because my back has been in spasms today, I am quietly on strike.  No work for hire, no shopping, no banking.

At best, a day for creativity, time spent in the studio. This is the real May Day, the witches’ one.  Some call it Beltaine. It’s the time to turn away from spring and move toward summer, a subtle shift between sprouting and growing. The rain has washed the pollen dust away, but thoughts of fertility linger on the breeze. What is more fertile than the imagination? What evokes May more than bright annual flowers?

mythbusting

There’s a myth that silk is delicate and that it must always be dry cleaned. Um. No.

Silk is the stuff of vintage parachutes. Would you drift from the sky under something delicate?

Some commercially dyed silk does bleed a lot of color when washed. Isn’t that part of the charm? Isn’t the resulting fabric surprisingly different? Don’t you want streaking and mottling on your fabric?  I sure do!

I’m sorting through my small pile of scrap fabrics, looking for murky shades of violet, aubergine, teal and forest green. I shall wash every one of them to bring out their true (im)perfection.

Isn’t the silk gazaar wondrous?  One layer is murky and translucent, a perfect veil. Two or three layers become opaque, secretive. This fabric demands to be pulled and tucked into layers and washes of color.

preparations

Isn’t Spring the perfect season for preparations?

I am an indifferent housekeeper most of the year, but there’s something about spring cleaning that resonates with me. While cloth ideas are tumbling around in my thoughts, I find the rhythm of cleaning and polishing sends me into that light trance state where my best cloth ideas are born.

Is there enough scrap?  I’m fearful that I may not have enough silk to make something interesting in the next workshop with Jude Hill. It’s going to be a small garment, perhaps using one meter of cloth. I don’t quite know its story yet. What is here that I would honor in a piece of cloth?

  • egret
  • waters of the Sound
  • the scraps of gentleness that I cherish in the midst of harshness

What is in my heart that I would honor in a piece of cloth?

  • the moment. this one. the one they call Now
  • peace
  • stillness

Questions and questions.  Only one picture today.  I don’t know what half of these things really look like.

 

gypsy cloth

Well, it’s done. My fingers ache from stitching, and I am pleased enough for a first effort.  I had gotten a bit muddled between what was supposed to be tacked and what was supposed to be quilted as the final step, so I made extra work for myself, blind tacking the back in places where I had already quilted the front.  Live and learn.

The moodiness of the colors appeals to me on a cold February night.  Winter might be here, at last, and these colors speak of dark nights and snug caravans.

I thought of adding beads, but that didn’t seem to suit.  What do you think about coins and bells?

zen gardens

What if I did weave new cloth from all sorts of strips in soft grey, amethyst, lichen and moss colours? Then, what if I applique some irregular shapes and rake it with parallel lines of stitching throughout? Might it make an interesting garment?

I have just signed up for Jude Hill’s contemporary boro workshop. This may be my chance to explore out how this vision might come together.

My bookshelves are organized by color. It makes sense.  I would have to look up the author’s name most of the time, but I always seem to recall the colour of the binding. The gray books share a shelf with the purple ones.  Neither are popular colours for bindings..  I have more yellow books than any other colour.

Thinking out loud

While I’ve been working on my gypsy cloth, I have been thinking about the next project.  I wonder if I have enough of these amethyst silk strips to weave a haori? Maybe if I make tight western sleeves rather than traditional japanese ones.

What if I embroidered some of it like this?

Just thinking out loud, just doing some digital embroidery.