Deep into the cloth

When I am deep into the cloth, in the light trance that comes from repetitive movement, my mind is free. Sometimes I think deeply; other times, not at all, just riding along on the cycle of movement.

Yesterday, I sat on the deck, weaving a narrow band in fine wool. Colorful stripes. It was difficult to get into the trance state, because I had to focus on keeping the band a consistent width.  This is more of a concern with fine yarn because the band heddle spreads it so wide. Then I broke a warp thread. There may be a rough spot on this band heddle. I have not used it before.

My thoughts were light, mostly on why some looms, such as band heddles, are nameless tools and other looms call for names. They are all weavers’ tools, like anything else in the studio. Didn’t I just read on a forum that there’s no shame in having a loom without a project on it. I’m not troubled when there’s no warp on the warping mill, or no quill on the bobbin winder. Why should I be concerned that there is no warp on one of my looms?

I don’t know. I need to carry the question with me for a while longer.

While I’ve made much mental progress on what needs to be done to fit the loom extension to my loom, and I have an elegant solution in mind where three modifications will correct all five issues, there has been no physical progress on it.

I am not ready to wind the linen warp for the drawloom. Not yet. Linen warps should not linger in a basket, waiting to be used. They get into all sorts of mischief. It’s just their nature.

One loom will be naked for a while longer. It’s just his nature.

 

Wicked productive

Said with my best approximation of a Massachusetts accent, of course. It is the place I call home now, so I might as well use the local idiom.

I have been wicked productive in the past few weeks. My winter study project in the Swedish art weaves of the Skåne region is off the loom. Yes, it ran long past winter, but I was having such fun with it. I am thrilled to see the fabric, because it was woven face down. It’s fabric for a tote bag. This is the front

IMG_6792The plainer design at the bottom is for the back of the tote.IMG_6790Another project from the winter is finally done. You may recall this shawl, called Opposites Attract. I’m going to appreciate its thickness and warmth on a cold winter’s day. Today, I am content to drape it over a chair in the library and enjoy the warmth of a fine June day.

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What’s happening in the studio?

I still have warp for more Swedish art weaves on the 4-shaft Julia. The other Julia is set up to weave the wide border for my Stjerne coverlet.  Three yards done, and four to go. Per, my big old Standard, is naked, as is often the case, but there is something very exciting in his future. I have purchased a ‘harnesk’  or single-unit drawloom! There are some minor technical difficulties in getting the loom extension set up.  Per is a non-standard Standard. There are loom parts all over the studio right now. It looks like a loom exploded in there.

I have fallen in love with weaving damask, and am so excited that I will be able to do it in my own studio. Here are two pieces that I wove at Vävstuga Weaving School a few weeks ago.

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