The hills are complex in color

Nina stopped by my studio today and found me sitting in the middle of the floor, sorting through the basket of yarn and treasures that I collected for the Misted Hills project. I have 22….23…24…maybe a couple more bits that I forgot to count.

The hills are complex in color.  On a misty morning, there are shades of grey, pale green, pale blue and lavender. As the mist lifts, stronger greens, blues and purples emerge.

I use color in broad sweeps, as though I were drawing with soft pastels. Do you weave with as many colors as I do?  More? Less? Tell me about your approach to color.

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